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sherlocksmyth:

THOU = “YOU” WHEN YOU’RE FUCKING DOING SOMETHING.

THEE = “YOU” WHEN YOU’RE HAVING SOMETHING FUCKING DONE TO YOU.

THY = “YOUR” AND “YOURS” WHEN THE THING YOU OWN BEGINS WITH A FUCKING CONSONANT.

THINE = “YOUR” AND “YOURS” WHEN THE THING YOU OWN BEGINS WITH A FUCKING VOWEL.

IF YOU’RE GOING TO MAKE SHITTY EARLY MODERN ENGLISH TEXT POSTS, DO IT RIGHT.

johndarnielle:

ronaldcmerchant:

the OILY MANIAC (1975)

in retrospect, it’s clear that horror film titles had nowhere to go but down after THE OILY MANIAC

johndarnielle:

ronaldcmerchant:

the OILY MANIAC (1975)

in retrospect, it’s clear that horror film titles had nowhere to go but down after THE OILY MANIAC

danagould:

#InstaSize

danagould:

#InstaSize

How could anybody see Haim as anything other than completely new and exciting? To my ears they are totally brand new and alien. It’s like they took Amber Coffman from Dirty Projectors, with all her instrumental and vocal talents, cloned her twice and signed the results to a major label. The most notable thing I’ve noticed about Haim is this unique melodic thing. Their voices loooooove the 4th note (‘fa’) of the scale. They love to hit it, hold it and suspend it way longer than anyone else. The movement from the 4th note of the scale to the 3rd note — often deployed as a 4-3 suspension, Google for more — it’s full-fat, full-sugar. The richest dessert in tonal harmony. Stick with me through a couple of examples. The words that fall on the 4th-note are capitalized. ‘Falling’: “Don’t stop NO I’LL NEVER GIVE UP / AND I’LL NEVER LOOK BACK/ JUST hold your head up.” ‘The Wire’: ‘but I fumBLED IT / WHEN IT came down to the wire.’ Both songs have no 4s in their melodies until these coups de grâçe. They’d hit those 4-3 suspensions and my soul would soar, then a second later my heart would sink with the realization that these girls are better songwriters than I am ;_;
slaughterhouse90210:

“The so-called sensitivity of neurotics develops along with their egotism; they cannot bear for other people to flaunt the sufferings with which they are increasingly preoccupied themselves.” ― Marcel Proust, The Guermantes Way

slaughterhouse90210:

“The so-called sensitivity of neurotics develops along with their egotism; they cannot bear for other people to flaunt the sufferings with which they are increasingly preoccupied themselves.”
― Marcel Proust,
The Guermantes Way

bestpersonon:

death-by-lulz:

Some of them look majestic in the sun.

And then there’s the turtle

Needed this.

youmightfindyourself:

Jimmy Cliff - Many Rivers to Cross

My first Seder! #latergram #fourcupsofwine (at Fairmont Mayakoba)

My first Seder! #latergram #fourcupsofwine (at Fairmont Mayakoba)

retronewyork:

A Walk Through New York City in 1968

Walking through Manhattan in 1968, starting at the Brooklyn Bridge, going up Broadway, and ending at the lake in Central Park.

slaughterhouse90210:

“The past is whatever the records and the memories agree upon.” 
― George Orwell, 1984

slaughterhouse90210:

“The past is whatever the records and the memories agree upon.”
― George Orwell, 1984

You should read the book that you see someone on the train reading and trying to hide that they’re laughing.

You should read the book that you see someone on the train reading and trying to hide that they’re crying.

You should read the book you find in your grandparents’ house that’s inscribed “To Ray, all my love, Christmas 1949.”

You should read books mentioned in other books.

Over at The Millions, Janet Potter, who has worked in bookstores all over the world for more than a decade, responds to Amazon’s 100 Books to Read in a Lifetime and similar rankings with a beautiful blueprint to the reading life.

Pair with Joseph Brodsky on how to develop your taste in reading.

(via explore-blog)